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Wooden Shjips
"Back to Land
"
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Hailing from San Francisco, psychedelic group Wooden Shjips, has just released their newest album Back to Land. The album brings together a sound crafted from inspirations that range from psychedelic music to classic rock.

The album is an entire trip in itself.  One can hear hints of 80s music, classic rock, and modern garage rock styles in the record, but they always resolve back to their classic psychedelic sound. With tracks like “In The Roses,” which brings a very spacey, low volume vocals, and a lo-fi sound that is not too cheesy or under produced. to “Ghouls,” which is a much faster, much more psychedelic rock sounding song that takes influences from classic rock guitar chords, while still utilizing classic psychedelic synthesizers.

Most songs on the album carry a jam-band sound, without becoming too abstract or getting too carried away. And in some cases, the music is so vast in genre diversity, one is surprised at the resulting sound, such as in the track, “These Shadows”, which starts off with an extremely catchy intro guitar riff and carries a vague David Bowie meets Velvet Underground sound.

“Back to Land” is a great piece of work that utilizes the potential of each member of Wooden Shjips effectively and thoroughly.

Most importantly, “Back to Land” is an experimentation of how far the psychedelic genre can stretch while still successfully staying true to its roots.


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The Bribes are to play Hyde Street Studios' Eclectic Tuesday on August 2nd from 7pm - 11pm!

The Bribes is the project of Chicago-born, San Francisco-based musician Philip Toscano. Toscano has relocated The Bribes to the Bay after releasing three records and headlining nearly every mid-sized and DIY venue on the northwest side. He is currently performing solo under the name The Bribes and collaborating with Jameson Irish Whisky as a part of the "Spirit of the Neighborhood" campaign.

The band's latest recording, "Dust Tapes," released in May 2016, is an ambitious bite-sized rock opera ​intended ​to portray a series of dreams about mortality through a melodically accessible sonic landscape. The result is a cohesive, dark-but-danceable record infused with pop rock hooks and 1950s/60s rock and roll sensibilities.

July 27, 2016
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The San Francisco based band, Beautiful Machines is back with their new album, Bridges.

Bridges takes the band in a new direction, deepening their exploration of live analog/electronic music. The album is purposefully arranged to take the listener on a journey, like cycling through a Tron-grid landscape to launching into a euphoric stratosphere. Thoughtful, dynamic and full of rich powerful choruses, wide lush verses and tangential bridges, this album strikes a chord and "bridges" technology and emotion.

The 2nd of a trilogy and thematically bridging Disconnect : : Reconnect (2014) with its following concept album Singularity (2017), think of Bridges as an inter-dimensional gateway connecting a circuit or a thought.

July 26, 2016
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Everyone Is Dirty will be releasing a new piece of music entitled, Banana Split.

Banana Split is a schizophrenic cassette single featuring two brand new tracks of art/rock insanity—the title track un-winds like a fever dream with its warped sound waves and amphetamine crunch, re-calling the Slits as much as David Bowie or Talking Heads; meanwhile on the flip side, “Wax Mannequin Mode” wafts in like a ghostly breeze, a rare glimpse of the softer side of Everyone Is Dirty, evoking The Meat Puppets and Elliott Smith.

Everyone Is Dirty first started shocking audiences with the raw power of their music in 2013, quickly striking a nerve with their explosive sound and electrifying live show. They developed a powerful and singular chemistry virtually overnight—the combination of frontwoman Sivan Lioncub’s electric-violin sorcery and sometimes ethereal, sometimes ferocious vocals; Chris Daddio’s pawn shop guitar crunch; the driving post-punk bass lines of Tyler English; and Tony Sales’ expressive and explosive drumming coalesced in-to a force of nature.

July 26, 2016
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Paper Roads, the fourth release by Bay Area locals Guy Fox, streets on July 15th. The EP follows the group’s debut full-length release Night Owl (2015) and maintains core elements of the band’s signature sound while taking on a new trajectory. While the band spent the better part of two years in and out of the recording studio crafting Night Owl—a heavily atmospheric recording—Paper Roads embraces, and more closely mirrors, the energetic live set for which the group has become known.

“Paper roads are roads that were approved by a town at some point in history, but have never been built--they just exist on paper,” explains songwriter Nate Witherbee. “We liked the idea as it hints of aspirations, ideas or dreams that haven’t become reality.”

This melancholy-tinged sentiment contrasts with the upbeat grooves and horn arrangements that are at the core of any Guy Fox record. “Let’s Move to Canada”, the EP’s penultimate track, perhaps best encapsulates the group’s ability to combine carefree, tongue-in-cheek lyrics that hint at deeper questions, while opening track “What Ya Say” demonstrates the group’s newfound ability to utilize space and broken down instrumentation.

Recorded at the new Tiny Telephone Oakland studio with long-time producer James Riotto (John Vanderslice, Merrill Garbus, Geographer), Paper Roads offers the most raw and genuine work produced by the group thus far.

July 18, 2016
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San Francisco psych-gaze group, Silent Pictures are debuting their sophomore LP, Let it Begin for a limited time via Soundcloud. A mix of beachy reverb-jangle, big choruses, swirling strings and more, the full album serves as an excellent demonstration of the group’s wide-spanning expertise and experience.

July 15, 2016
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The Oakland based record label, Oaktown Indie Mayhem has release the new EP from the experimental band, TV Heads.

After soaking up the creative influences of the Bay Area for many years previous, and marinating in Los Angeles’ vibrant scene of grungy post-punk and garage rock, ambient electronic experimentation, and cross-pollinating performance art mediums, TV Heads was ripe to begin recording Total Fvcker. The band finds it's sound in the collective experiences of the trio; arching guitar lines, gritty synths, and raw drums and bass. Galloway and Tavella mix their distinctive voices together to create lush vocal harmonies that launch into wild choruses, a'la a Jeff Buckley and Annie Clark fronted Smashing Pumpkins.

July 12, 2016
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