It’s rare that a record is able to capture a perfect balance of forward momentum and somber reflection, yet this is precisely what New York avant-pop ensemble Green and Glass have accomplished on their debut full length. Such conflicting feelings are likely a product of the band’s methodical instrumentation, the joining of parts from the old world (harps, horns, and drums) and the new (keys and electric bass), which as set pieces for bandleader Lucia Stavros’ show-stealing, often mysterious lyricism, creates an intergenerational atmosphere — chamber pop that feels as modern as it does baroque. This tone is set early in the record on “Green and Glass” and “14 Hours,” whose march-like tempos, somber brass lines and cool synths serve as distinctive introductory fanfares; while the song’s formats may seem familiar at first, the script is immediately upended by the band’s diverse instrumental offerings. This energy continues throughout standout track “Sand,” where the unison of harp and electric guitar against a stuttering percussive line paves the way for an ethereal overture that perfectly blends woodwind and midi leads. In all, Green and Glass delights and surprises at every turn, a lush, experimental yet accessible record that will feel immediately at home with fans of San Fermin or Hundred Waters — stream our premiere below, and catch the band at Threes Brewing on March 4th for their record release show. Photo by Maura McGee

At the core of Brooklyn-based experimental pop outfit Green and Glass is a mellifluous, dulcet harp—a texture that informs the group’s output with an ethereal and sometimes mysterious quality. Played by bandleader and singer Lucia Stavros (and flanked by a myriad of collaborators from bands like Cuddle Magic and Secret Sibling), her soft, almost whispering vocals, alongside Green and Glass’s various synths, horns, and drums craft a baroque-like march on the band’s debut single “14 Hours.” The synthesis of the group’s various parts manifests an orchestral quality, one that places the group squarely between chamber and synth pop; Green and Glass are tactile in the sounds they choose to incorporate, but do so in an off-kilter manner that embeds the entire track with a hazy, dream-like quality. Stream it below, and catch them at The Footlight on November 6th. -Connor Beckett McInerney