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The Deli KC





Signal To Noise pays tribute to Lou Whitney

Longtime KC mainstay free-form show Signal To Noise, hosted by Barry Lee, will present a special show in honor of Lou Whitney, who passed away Tuesday after battling cancer. The radio show will include in-studio guests Kristie Stremel, Tony Ladesich, Fred Wickham, and Joey Skidmore. Lou's longtime friend and guitarist D. Clinton Thompson will also join in via telephone from Springfield, Missouri. Tune in this Sunday, October 12, at 8:00 p.m. to hear the music of the Morells, The Original Symptoms, The Skeletons, and songs recorded by the guests with Lou producing. And great Lou stories as well. Facebook event page.

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Spotlight on KC PsychFest artist: Your Friend

(Photo by Lindsey Kennedy)
 
This week, we’ll be highlighting some of the artists playing KC PsychFest from Thursday through Saturday nights at recordBar.
 
Taryn Miller’s intelligent songwriting and entrancing music is making its way around, and for good reason. Miller’s project Your Friend was signed to Domino Records earlier this year. With her debut album, Jekyll/Hyde, Miller constructs a simultaneously comforting and haunting atmosphere, fashioned around somber but colorful vocals. 
 
The Deli: Down and dirty: 1 sentence to describe your music.
 
Miller: The music itself has distinct differences when presented live or by the actual recordings, but I’d say it’s spacious and constantly evolving.
 
The Deli: Give us some background on Your Friend. Do you have a regular cast of musicians that play with you? How long have you been operating under this moniker?
 
Miller: I’ve been playing under the moniker for over 2 years now. When it began, the roster was always changing, and that was exciting. But I felt that in order to dig deeper over time, I wanted some sort of solidified group to explore with. I really enjoyed the risk in one-off shows but I wanted the trusting element to be more present. There’s always going to be some sort of risk playing with me anyway! It all happened organically though. We all work well together as friends and as bandmates. Nicholas Stahl, Chris Luxem, and Austin Swick are the gentlemen I have played with the longest. I can’t imagine playing with anyone else at this point. It feels like a group more than a solo project than it ever has.
 
The Deli: What inspires your music and songwriting?
 
Miller: In all honesty, just purely existing. I am very intuitive and tuned in to all that is happening around me at all times. This is my way of documenting it. It’s very cathartic for me to do this. I’m inspired by energy, and the lack of it, all at once.
 
The Deli: What have been your greatest accomplishments as a band?
 
Miller: Touring and still loving each other afterwards. It only made it more apparent that these are the people I should be surrounding myself with. It wouldn’t have gone as smoothly without them.
 
The Deli: Your debut EP Jekyll/Hyde was released on Domino Records earlier this year. What can listeners expect? Do you have plans to record again soon?
 
Miller: The most rewarding things about having this amazing company backing the project are that the music gets to be heard by people that wouldn’t otherwise know it exists, and the tools to make something that I am truly proud of. It’s the kind of support that I had always dreamed of. I’m in the process of finishing the writing process of the full-length. The plan is to record it by the end of the year and for it to be available next year. I’d hope that there will be a sense of growth that can be heard with the newer material. I’m definitely in a radically different headspace.
 
The Deli: What does supporting local music mean to you?
 
Miller: It means everything from what I’ve experienced. I’ve only had the opportunities that I’ve had from the support of the community. Being involved in it, there is some sort of magic that peaks out of so many different directions. I’ve gotten to grow as a musician and watch all of my friends do the same. I’ve learned so much from the local scene and talent within it.
 
The Deli: Who are your favorite local and non-local musicians right now?
 
Miller: Locally, everything coming out of SeedCo and a part of the Whatever Forever collective. I’m really looking forward to Karma Vision’s release. I fell in love with No Magic this year and practically begged him (Ben Sauder) to let me play live with him. KC-based, All Blood has been really killer to watch. I grabbed their earlier tape and really love how unique the material is. I’m also a big fan of Lazy, The Conquerors, and Shy Boys.  There’s also a guy, Nathan Dixey—he plays as The Dan Ryan—who also played bass on my EP and sent me his mixes of his upcoming release. I can’t wait for it to reach other ears. He lives in Austin now but he’s still local to me.
 
Non-local, I’m all over the place. To keep my head clear I find myself listening to a lot more droney things.  Although I have been really excited about the newest Caribou record. 
 
The Deli: Who are you looking forward to seeing at PsychFest?
 
Miller: The Conquerors, Gemini Revolution, Monta At Odds, Jorge Arana Trio, White Mystery, and I’m still holding out for some surprise Expo 70 appearance.
 
The Deli: What is your ultimate fantasy concert bill to play on?
 
Miller: This answer would probably change depending on what I’ve been most into. So, currently, Lower Dens, Timber Timbre, with Nils Frahm closing the show.
 
The Deli: A music-themed Mount Rushmore. What four faces are you putting up there and why?
 
Miller: Referencing the last question, it mostly depends on what I’m listening to the most at the time. I would say William Basinski, Steve Reich, Arthur Russell, and Leyland Kirby. William Basinski has transported to me to an entire different form of listening. I could say the same of all of them honestly. I’m definitely drawn to composers. Listening to their work is almost like a glimpse of what their brain appears like on the inside. Steve Reich’s arrangements require your attention and I respect that artform. Leyland Kirby has worked in so many different types of environments. I love his spontaneity and also his control and selection. Arthur had sort of the same trajectory. All of his records touch upon something different. From the absolute joyous to morose. He was always creating, and it inspires me.
 
The Deli: Where can we find you on the web?
 
 
The Deli: What other goals does Your Friend have for 2014, and beyond?
 
Miller: The same thing I tell myself every morning: finish this record. It’s been very challenging to make this next thing. Now that I’m aware of what ears it could reach I want it to be very representative of myself. I also want to make something that I can be very creative with in the live setting and keep it exciting. Those are the goals as of now. If I look too far ahead, the page in front of me gets blurry.
 
The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?
 
Miller: I’ll cheat and quote Allen Ginsberg. First thought, best thought. I’m beginning to learn what it means to trust your instincts. I feel as though I spend so much time trying to change what’s inherent. Stay true to who you are and surround yourself with the people that irrigate and continually inspire that.
 
 
Make sure you check out Miller with Your Friend. The group will be playing KC PsychFest this Saturday, October 11, at 8:00 p.m, at recordBar.
 
--Michelle Bacon
 
Michelle Bacon is editor of The Deli KC and plays in bands.

 
 

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Album review: Schwervon! - Broken Teeth

(Photo by Erica Peterson)
 
Full disclosure time: Schwervon! is far and away my favorite Kansas-by-way-of-New-York-originally-from-Kansas duo. I first became aware of their music when they returned to the Midwest and reentered the local music community at the 2012 Middle of the Map Fest. With Nan Turner on drums, Matthew Roth on guitar, and each of them sharing vocal duties, their songs proudly carry the flag of the lo-fi, DIY approach to songwriting and performance. One of my favorite tunes from Courage—Schwervon!’s previous album—is “Truth Teller,” a song that does a fantastic job of capturing the feel of early ‘80s Athens, GA, which was the breeding ground for early college rock faves R.E.M. and the B-52s, among others. For their new release, Broken Teeth, Schwervon! once again does a bit of back-to-the-future time travel, but in a much more direct and personal way.
 
As Roth shares on the band’s website, in early 2014 they were trying to create new music but having trouble getting around the obstacle of writer’s block, so they tried to kickstart the creative process by bringing out music from an album recorded eight years earlier (I Dream of Teeth) and playing some of those songs in a deconstructed manner. The results were so appealing and invigorating that the twosome decided to set aside the new music they were writing and rework six of the older tracks (along with cover versions of two others). At this point it would be fairly standard if I made comparisons between the two albums, but to make references to IDoT would not be giving Broken Teeth its full due. Both albums are available on the Schwervon! Bandcamp page, where you are free to contrast and compare at your leisure.
 
The one thing I will say about the difference between then and now is that the new album is an all-acoustic effort, and for a band that is known for music that is sometimes quirky and punchy and free-form, reducing it to a six-string and drums could be restricting part of their essence. But the years have been very good to the twosome in that their skills with their instruments, both musical and vocal, have grown and matured and seasoned with time. What you hear on this album is the product of two artists who not only refine their songs to their essential states, they also seem completely comfortable in doing so.
 
“Flaming Dragonfly” kicks off the record with a basic call-and-response series of “oh oh oh ohs” before settling in to a nice, tidy bit of pop sweetness. You instantly get the impression that powering down is not going to present any challenges in setting the tone that Schwervon! is so good at, which is a modern sound that still offers a tip of the cap to some of their early alt-rock predecessors. “Fuzzy Math” finds Turner laying into the kick drum with steady authority and solid groove, letting Roth’s guitar follow along to create some feel-good summery sound. “Blue Light” offers a nice little bluesy touch which serves as foundation for Turner’s torch song delivery – and am I the only one that thinks that this song would be a pretty ideal vehicle for a “special guest star” appearance from my favorite KC rock star, Amy Farrand? It’s a natural collaboration in the making.
 
“Natural” could also be used to describe the vocal harmonies between Turner and Roth, and while each takes turns with lead duties and handles them nicely, hearing them working together takes whatever song they happen to be singing into a different realm. There are instances when their interplay is reminiscent of early X; both have distinctive sounds that seemingly wouldn’t mesh with anyone else but their partner. This becomes more true with increased listening to the music of Schwervon!—they could sing with different musicians, and as time goes on I fully expect them to combine forces with a roster of talented co-conspirators, but their voices are much stronger and truer when paired with each other. Simple as that.
 
I’ve been saving what I consider the best for last: “Sidesaddle” was the first song from IDoT that they started fiddling with in order to find their creativity, and on Broken Teeth it serves as the centerpiece and magnum opus (six minutes isn’t that long for a magnum opus, but with none of the seven other tracks exceeding 3:15 in length it’s opus-sized, comparatively speaking). Both musicians show a deft touch throughout, with Roth’s mid-point song-whisper reminiscent of Trent Reznor’s “Hurt”—without all the dying things contained in the video, of course. The plaintive-yet-hopeful vocalization on top of gentle, reassuring music is a combination that makes “Sidesaddle” a knockout.
 
It’s always great to find a band that makes an impression; it’s better still to watch that band grow and evolve. Broken Teeth shows Schwervon! taking a major step forward with their craft. They have their own style, they have complete faith in one another, and their live performances are excellent—gigs that can now call upon a growing and substantial catalog of quality work. At these shows, it’s not uncommon for Roth to offer a poetry reading, Turner to present an improvisational dance… or, more likely, both to happen at the same time. I’m not going to subject you to my mad sick flow, and you do not want to see me busting any sort of move, so I’ll just offer a concise bit of advice to anyone wanting to hear the potential of two people:
 
Get your Schwervon!
 
--Michael Byars
 
Michael is sometimes known for busting a move. He also currently has a pink goatee for the month of October for breast cancer awareness!
 
 
Broken Teeth was released on Haymaker Records.
 
Schwervon! will be throwing a release party for Broken Teeth tomorrow, October 3 at FOKL. The Cave Girls and Wick & the Tricks will also be playing, and DJ Memo will spin before and after the bands play. Facebook event page. This will also kick off their two-month Fantastico tour across Europe and the States.
 
 

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Album review: Black on Black - Firebrand (EP)

Black on Black is one of those rare bands that shocked, surprised, bewildered, confused, and straight knocked me out when I first heard its debut EP Help Yourself. Blending Fugazi, Rites of Spring, Sunny Day Real Estate, Jawbreaker, Converge, and a miles deep well of anger and aggression, Wade Kelly, Aaron Riffel, and John Benda tapped into something that has sadly been missing in rock today: honesty.
 
Through three EPs (Help Yourself, Let’s Get Cynical, Get On With It), Black on Black has bludgeoned listeners with truth, building an ever-growing following not through gimmicks or recycled, hackneyed riffs but through in-your-face, balls-to-the-wall rock ‘n roll and live performances that reportedly leave attendees drained and wanting more. There seems to be no end to the fire, force, and boiling hostility within Black on Black. With four EPs in the two years, the band is on a creative explosion that does not ever seem to stumble.
 
The band’s latest release Firebrand walks tall, continuing where Get On With It left off.
 
Blowing out the starting blocks with “I Dreamt I Died,” a song of gnashed teeth and crushed dreams; “we can borrow a mock civility” lead man and chief lyricist Wade Kelly screams, “but we’ll hang the righteous at dawn.” There is definitely a tone to Firebrand and the motivation of Black on Black.
 
“Getting signed to a deal, to a label is not what we’re trying for,” Kelly told me. “We just hope people like the music we make.” With Firebrand, Black on Black does not merely tap a vein to get in touch with their audience; they have hacksawed and ice picked their way through a major artery.
 
“Butcher’s Block” sounds like the world would if Springsteen and The Hold Steady would have been punk rockers. Like Springsteen and Craig Finn, Kelly paints vivid pictures with his lyrics: “when my body breaks like a shell dissolving in the rain / you’re gonna taste my angry love.” While Kelly spits bile out to the world, drummer Benda and bassist Riffel (formerly of Lawrence punk stalwarts Unknown Stuntman) push the songs along like a rocket-fueled muscle car with no brakes, no seatbelts, and a trunk packed to the brim with nitroglycerin.
 
Black on Black is becoming an expert in blending its influences and anxiety to make a style that is all its own. No regurgitated Misfits riffs, no banjos, no rehashed 1970s bombast, no gimmicks, no angles to appease the cool kids; Black on Black does what it wants and it shows on Firebrand. It shows in everything the band does. Many bands claim to live within the DIY philosophy but few in today’s world do it as well as Black on Black and—thanks to an unflinching approach to everything—fans get great albums like Firebrand. Keep up the anger-filled work my friends, it’s definitely working in your favor.
 
--Danny R. Phillips
 
Danny has been reporting on music of all types and covering the St. Joseph music scene for well over a decade. He is a regular contributor to the nationally circulated BLURT Magazine and his work has appeared in The Pitch, The Omaha Reader, Missouri Life, The Regular Joe, Skyscraper Magazine, Popshifter, Hybrid Magazine, the websites Vocals on Top and Tuning Fork TV, Perfect Sound Forever, The Fader, and many others.
 
 
Check out Black on Black at KC’s first Zombie Pub Crawl this weekend. They will open up the Vandals stage at 9 pm on Saturday. Facebook event page.
 
 

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Spotlight on Plaza Art Fair artist: Miry Wild

(Photo by Travis Snell)
 
This week, we’ll be highlighting some of the artists playing INK’s stage at the Plaza Art Fair this weekend, September 19-21.
 
One of the newest members to the local music landscape is Miry Wild, a five-piece folk pop outfit with a sophisticated yet youthful sound.
 
Only a month after forming its full lineup, Miry Wild recorded its debut self-titled EP, a concise spiritual sojourn dotted with enchanting instrumentation and alluring vocal harmonies. The band’s natural chemistry and charm is apparent even from a cursory listen to the album.
 
With this fairly new lineup and only a handful of shows under its belt, Miry Wild is finding its identity as a collective. Fortunately for the rest of us, they’re finding it through cohesive, tasteful songwriting.
 
We talk with Julia Hamilton, the band’s vocalist and guitarist, about the group, its music, and what Miry Wild has to look forward to.
 
The Deli: Down and dirty: 1 sentence to describe your music.
 
Hamilton: Our music is a mixture of pop, folk, and jazz with some pointed harmonies, groovy moments, and tight rhythms throughout.
 
The Deli: How long have you been together and how did the band come to be? What’s the lineup?
 
Hamilton: We started as a three-piece (just guitar, bass, and vocals) last year when Kate [Miles], Havilah [Powers], and I were really itching to collaborate and start writing and performing together. It was just in February when we got together as a five-piece, adding drums and keys. We started working on our EP in March and played our first show together when we released it in May.
 
We really haven’t been together for long and have only played a handful of shows, but we have had an amazing time so far and are very much looking forward to all that is to come! I think we have some really great chemistry as a group. We’ve got Katelyn Miles on the upright bass and bass guitar and Julia Hamilton (that’s me) playing acoustic guitar with vocals. Havilah Powers sings vocals and also adds various percussion. Emily Marriot is our drummer, and Holly Grimwood is on keys and vocals as well.
 
The Deli: For a band that is just starting out, you already seem to have a great comfort level with each other musically. Have any of you collaborated together before?
 
Hamilton: Holly and I were both in different bands in high school; and Emily and I were actually in a rock band together with two of our guy friends from 2011-2012 but that didn't end up lasting too long. I know Kate has played with different orchestras as well. For Havilah, on the other hand, our group is her first brush with writing, collaborating, and performing music. If I was an outsider looking in though, I would never guess that to be true! As long as I've been friends with Havilah, our voices have always found each other. We both love singing so much and I think we have extremely similar tone and inflection, so much so that I feel like we are vocal soulmates. She comes up with these interesting, unique, haunting harmonies that sound so natural and easy for her; her musical ear is amazing! So, most of us have been casually involved in different projects throughout the years, but we've all been able to find our niche in Miry Wild. Each member brings an equally important piece to the whole, both musically and relationally. I feel like it's the band I've been waiting to be a part of my whole life and I hope the other girls feel that way too.
 
The Deli: What inspires your music and songwriting?
 
Hamilton: Obviously, I think it’s safe to say that other artists will always inspire and influence our music. We also write well together as a group and are constantly bouncing ideas off each other (let’s just say our band practices consist more of talking than actually playing music). As far as where we draw our concepts from, certain things tend to come up consistently in our songs: nature, spirituality, relationships… Sometimes we’re just telling the stories that float around in our heads.
 
The Deli: What have been your greatest accomplishments as a band?
 
Hamilton: Recording our EP was the very first thing we did together as a band and honestly it helped shape and mold us so much. Five different people figuring out how to write and play together cohesively is a task when you’ve never done it before. We had to abandon the mindset of five individual artists and instead adopt the idea that we are one artist and must express ourselves through one voice. Figuring all of that out has been our biggest accomplishment so far, but we’ve happily accepted the fact that we have much more to accomplish!
 
The Deli: You released your self-titled EP earlier this year. What can listeners expect?
 
Hamilton: Expect to hear just a taste of the different sides of Miry Wild on this EP. We think it is a fantastic introduction to what we have in store for the future.
 
The Deli: What does supporting local music mean to you?
 
Hamilton: Supporting local music means SO MUCH. Kansas City has such a wonderful community of musicians who, in my experience, seem to always be there for each other. As a musician, supporting others means reaping all of the joy that comes with being a member of that community. As a Kansas Citian, supporting local music means contributing to the cultural well-being of our city.
 
The Deli: Who are your favorite local and non-local musicians right now?
 
Hamilton: We love Katy Guillen and the Girls and She’s a Keeper! As far as non-local musicians go, I don’t think I can speak for all of the girls with one answer but Ben Howard is coming out with a new album in October that I think we’re all pretty excited about. We really like him.
 
The Deli: Who are you looking forward to seeing at Plaza Art Fair?
 
Hamilton: I am very excited to see My Brothers & Sisters perform! I haven’t been able to catch a show yet but from what I’ve heard they’re really different.
 
The Deli: Besides Plaza Art Fair, what other shows do you have coming up?
 
Hamilton: We are so stoked about a show we’re playing at Czar Bar on October 7 opening for Paper Bird. They’re amazing. Also, look for a show with KG & the Girls in December!
 
The Deli: What is your ultimate fantasy concert bill to play on?
 
Hamilton: MY personal fantasy concert would definitely involve Brandi Carlile. However, all of us in the band have such varying interests so it’s kind of impossible to answer that question for Miry Wild! Maybe we need to work on that as a part of the whole five artists, one voice thing…
 
The Deli: A music-themed Mount Rushmore. What four faces are you putting up there and why?
 
Hamilton: Our musical Mount Rushmore has five faces, one for each of our heroes. The face I chose is Janelle Monae. I admire her more than anyone because she fearlessly represents everything I think music should be about: free expression, unlimited artistic experimentation, and giving a voice to those who aren’t allowed one.
 
Kate chose Jimi Hendrix because his story has always inspired her: a self-taught musician who did not have an easy life by any means but kept making music and making it the most important part of his life, regardless of how much money he made doing it.
 
The face Emily chose is that of drummer Zac Farro because she hugely admires his drumming style and he really influenced her in the beginning stages of figuring out her own individual style.
 
Havilah’s Mount Rushmore includes Joanna Newsom because… How could you not be moved by everything she does!? Her rhythm, melodies and lyrics are puzzling; the form and heart of her songs are captivating.
 
Finally, Holly chose Alicia Keys as her most highly regarded artist because of the way she combines classical piano with hip-hop and soulful lyrics. Alicia really transformed Holly’s style when she was being trained as a classical pianist and made her fall in love with the keys again (no pun intended).
 
…we think that’s a pretty good-looking hypothetical mountain!
 
The Deli: Where can we find you on the web?
 
 
The Deli: What other goals does Miry Wild have for 2014, and beyond?
 
Hamilton: We are planning to start working on a full-length album before the year is over! We are writing new music now and loving it. Besides that, we just want to play more shows in different venues in Kansas City and make a lot more friends in the music scene.
 
The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?
 
Hamilton: Check us out! Come to a show, introduce yourself, and talk to us about music! We have so much to look forward to and are very much enjoying every bit of the ride.
 
Miry Wild is:
Holly Grimwood: keys, guitar, vocals
Julia Hamilton: lead vocals, acoustic guitar
Emily Marriott: drums
Katelyn Miles: upright bass/bass guitar
Havilah Powers: vocals, aux percussion
 
 
Miry Wild will be playing on INK’s stage at Plaza Art Fair on Sunday, September 21 at 3:00 p.m. The stage is located at Ward Parkway and Pennsylvania Avenue, next to Gram & Dun and Plaza III. Facebook event page.
 
--Michelle Bacon
 
Michelle Bacon is editor of The Deli KC and plays in bands.
 
 

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