It's great to know why musicians do what they do. Why they write songs about heartache or joy. What kind of emotion they're trying to express. Who they most look up to. That's the magic of what they do. But then there's the science of it. How do they make the most raw or sensual sounds come out of their instruments?

This week we talk with Todd Grantham, also known as the suave ivory tickler of The Quivers.

The Deli: What kind of gear are you using?

At home, when I'm relaxed and want to play sitting down? I play a 1959 Cable Nelson Spinet piano.  It's been in the family since before I was born and I've been playing - mostly banging on that piano since I was a baby. I love it. You can't make a keyboard thunder and rumble quite like it.

Bernie Dugan’s style is a lot like the many drumsets he’s collected through the years; rooted in tradition, warm in sound, steady in performance and most importantly, sparkly and fun. As the drummer for The Brannock Device, Cher UK and The Quivers, Dugan has swiftly become a staple of our local music scene.

The Deli: How did the drums find you?

Bernie Dugan: My brother and brother-in-law both play drums. I started out playing on my brother's set. He is a lefty, so I would always have to rearrange his drums. I bought my own set in 1985, after saving up my money.

The Deli: Tell us about your collection.

BD: It is a slippery slope...You buy one, then another...and if you are not careful, you end up with more drums than room to keep them in. I got out of control in the late 1990s. I owned 12 drum sets and 40 or 50 snare drums. I just kept on finding good deals. I eventually grew tired of the size of my collection and scaled it down. Currently each band I am in has its own drum kit complete with bass drum art and I keep a kit in my practice space.

The Deli: What's up with vintage drums?

BD: I have a love-hate relationship with vintage drums. They can have a great warm tone that can't be duplicated with modern materials, but old drums have problems. Vintage drums were not made with the same precision that drums are made with today. Older drums have characteristics that you have to work around. Inevitably, parts fail and that can be a hassle especially when you are on stage.

I played vintage drums exclusively for years. Then one day, I had enough. Forty-year-old drums are not built to withstand the abuse I was dishing out at the time. I sold all of my vintage drums except for a snare drum and bought some second-hand, custom-built drums.

Some of the custom drum builders are making outstanding instruments. They tune easily, stay in tune and the modern hardware is so much more reliable. I played a number of custom kits for nearly 10 years and avoided vintage drums until I used the studio kit for the latest Brannock Device recording. It was a beautiful 1960s Ludwig Blue Sparkle kit. I was hooked. I never realized how much I missed that warm, woody tone. Shortly after I picked up the Gold Sparkle Ludwig kit that I use with The Quivers.

The Deli: Obligatory question: your favorite drummers. And why?

BD: I have too many favorites to list. My first favorite was Stewart Copeland. At the tender age of 14, he floored me. I couldn't comprehend why he sounded so different but I knew what he was doing was important. Ringo is on the list because he has style. Some of Ringo's beats will stick in your head like an ear worm. Max Roach is my favorite jazz drummer because he possessed all of the technical ability, yet had a very organic feel. Stephen Hodges is pretty remarkable, he has played on my favorite Tom Waits songs and my favorite Mike Watt songs.

The Deli: What's your process?

BD: The songs dictate much of what I do and I play what feels right to me. It is pretty simple, I don't try to analyze a song, I just try to feel it. I approach each band differently. With The Quivers, I have to keep it solid. I lock in with the bass and leave plenty of room for the rest of the instruments. I play what needs to be played while keeping it satisfyingly interesting. The Brannock Device is something completely different. It is about pushing and being shoved, but in a good way.

The Deli: Playing in three different bands, is it ever tricky?

BD: I just enjoy playing music and truly enjoy the people I play with. I consider my band members some of my best friends and would hang out with them even if we weren't in bands together.

Scheduling is the only real complication because, like me, most of my bands' members also play in multiple bands and/or have extensive solo performances.

Bernie is a busy drummer; if you haven’t seen him play yet, you will. Catch him live at recordBar this Sunday, June 24 with The Brannock Device (Sonic Spectrum’s tribute to The Minutemen) and June 30 with The Quivers (Sonic Spectrum’s Local Music Showcase).

 -Sergio Moreno