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Folk/Country





New Track: "Going To My Brother’s House" - Maxwell Stern

Perusing unfamiliar territory, “Going To My Brother’s House,” the latest single from Maxwell Stern (of Signals Midwest), glides in a roundabout, acoustic-folk stroll. Along the song’s evolution, it traveled the globe from Philly to Pittsburgh, to Australia, to Chicago, where it was augmented by Mother Evergreen to become what we hear now. There’s an unassuming nature as the tune guides you down a path. Picking up additional instrumental pieces along the way fully fleshes out its details, as the catchy, lyrical string tongue-ties. There’s a familiarity in realizing when you're out of your comfort zone and the aspects that you notice in those circumstances. You can find Stern opening things up at Kung Fu Necktie on Friday, April 27, as part of a billing that also includes Shannen Moser, Port Arthur, and Friends of the Bog.





Folk/Country

Time: 
18:00
Band name: 
FlecHaus
FULL Artist Facebook address (http://...): 
www.facebook.com/flechausmusic
Venue name: 
One-2-One Bar
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Ben Caplan's "Widow Bride" is a noisy nod to eastern European music

Canadian songwriter Ben Caplan's first single from his new album Old Stock (due out June 15th) is dark, witty, and energetic. Those are three adjectives that wouldn't normally make sense together, but in context, "Widow Bride" is all three. There is a sense of mystery in the eastern European chordal structure, the lyrics are smart and interesting, and the driving arrangement ties whole track together. Dynamic and confident, "Widow Bride" shows Caplan's songwriting talent and highlights a gorgeous assortment of textures. -Geena Kloeppel

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New Track: "Sun of The City" - BARNES

Barney Cortez, a.k.a. BARNES, recently shared a new single called “Sun of The City,” featuring longtime collaborative partner Nick Bockrath (Cage The Elephant, ex-Nicos Gun/The Rich Mystics) and vocalist Katie Schecter. Acoustic and pedal steel guitar are delicately stitched together as a thought-filled walk unfolds words of wisdom and past events. There’s a duality in the intimate, inviting, folk sound and the chill of individual isolation that the lyrics depict. BARNES is slated to appear this Wednesday, April 18 in NoLibs at Ortlieb's, with The Mysteries and Lady HD.





An interview with indie folk-rock duo Hunter & Wolfe

NYC's indie-rock duo Hunter & Wolfe (Michael Maffei and Sundeep Kapur) are a force to be reckoned with: introspective, tight compositions carried by rich, folky instrumentation and strong lead vocals by Maffei. On their most recent release, 2017's Late Then Never, Hunter & Wolfe effectively paint a picture of growing pains. On the opening track, "All The Vultures," the duo channels the symphonic heartache of bands like Arcade Fire and Bright Eyes, making good use of booming percussion, bright keys, and most notably, lyrics that speak of ambivalence toward selfhood, love and becoming an adult. "I've been thinking 'bout the things I've said/I've been thinking 'bout the times I got it wrong/And all the vultures circling my head/I've been thinking that it's time I turn and run." The Deli recently spoke with Hunter & Wolfe about the creative process, their inspirations, and what the future holds for the band. You can catch Hunter & Wolfe at Rockwood Music Hall on April 3rd. Listen to "All the Vultures" below, and read the full interview here! - Ethan Ames

What was your initial motivation to form a band, when you started playing? 

Michael: I couldn't tell you what my motivation was back then other than I loved playing music and was fortunate enough to have a couple friends who shared that passion. I've always loved working with other musicians, though; it's just cool to see how much better a group can be than the sum of its parts. And I still get giddy about harmonizing.

What are the bands you dreamed to be part of, growing up?

Michael: As a kid I always wished I could be in Nirvana, because who wouldn't? I also have this vision of playing with Elliott Smith and Jon Brion on that one episode of the Jon Brion show. They're two incredible musicians just messing around, but they're so damn facile and the vibe is amazing. Oh, and if I could just shimmy my way into Arcade Fire, that'd be great--what's one more member anyway?

Who were you listening to at the time of writing and recording “All The Vultures?” There’s a distinct early aughts feel to it, i.e. Arcade Fire circa 2004. 

Michael: Well Funeral is one of those albums that's just burned into my brain, so whether I was actively listening to that or not, it was rattling around somewhere up there. 

I'm definitely anchored in the early aughts: Arcade Fire, Radiohead, and Elliott Smith are all hugely important in how I approach songwriting. I do assimilate some new stuff as I go along, but we all tend to have a particularly liminal time in our lives when music really affects us. I guess it was the early aughts for me. 

As for some more recent records, The National's Trouble Will Find Me and High Violet were (and still are) in constant rotation. Honorable mentions to Mac Demarco's Salad Days, Grizzly Bear (Veckatimest, Shields), Bombay Bicycle Club (I Had The Blues But I Shook Them Loose), The Districts (A Flourish and a Spoil), and The Walkmen...also there was definitely a smattering of disco... 

As a creative duo, what does the songwriting process look like for the two of you?

Michael: It all begins with me having an idea and convincing myself it's awful. Usually it's some melody that randomly pops in my head or while I'm noodling on piano or guitar. If that awful idea stays in my head for long enough, the only way I can get it out of my head is to send it to Sundeep - not sure why that works. Deep then tells me if it's actually awful. 

From there, Deep and I spend a lot of time demoing back and forth via email before we get to a point for rehearsals. At that stage, we realize that Andy & Eric (drums) and Jeremy (bass) have much better ideas for their respective instruments than we do. We also had the pleasure of working with producers Doug Schadt and Harper James, who whipped us into shape toward the end of the process, which was new for us this time around.

Is “No One Really Wants Me” directed toward any one specific person, or is there a broader meaning behind the lyrics?

Michael: I always refer back to Woody Allen in Annie Hall: "I would never want to belong to any club that would have someone like me for a member." My long-term relationship had recently ended and I was learning to deal with the insanity that is dating in NYC. And in spite of being surrounded by wonderful people, I had convinced myself everyone was just being nice. I guess this song was sort of a way to check myself. 

That being said, most of what I write is based on my own experiences, but I do hope that other people can relate. There is definitely a broader meaning; I'm sure I'm not alone in feeling anxious and alienated in spite of all the facts in front of me.

What does creative authenticity look like to you?

Michael: Creative authenticity is creating to scratch an itch. It's creating because it's second nature, almost like you have no choice because it's just what you do. I started writing music because there was something I wanted to hear that I hadn't heard. That's not to say I've succeeded.

People aren't dumb; they know when you're sincere in your message. All I do is say what I need to say and hope that it resonates with other people.

What other artists from the NYC area do you enjoy, these days?

Michael: We created a playlist on hunter & wolfe's Spotify called "The Cool Kids" where we post NYC artists we're into. 

To name a few: Bedlam-Roxbury by Anders RGK (definitely my sleeper pick of 2017), RVBY MY DEAR, Madam West, Pearla, Wet Leather, Wild Manes, Ursae, Twiga, and OxenFree. I'm missing tons because I'm the worst so people should make some suggestions. 

What's on the horizon for Hunter & Wolfe?

Michael: We're playing Communion Records' residency at Rockwood Music Hall (stage 2) on 4/3 @ 10pm - super excited about that. We're also looking to expand into other cities this summer with a possible mini-tour in the works. Other than that, expect to see our first full live performances of the new record on a YouTube near you!

And, as always, I'll be writing more awful ideas and Sundeep will be talking me off the ledge!

header image: 
sites/upload-files/imagecache/review_image/15032237_1287265941346896_7560706574218342125_n[1].jpg
author: 
Ethan Ames
Subtitle (brief and awesome): 
It all begins with Michael having an idea and convincing himself it's awful.
Excerpt (short interesting quote from the Q&A): 
"People aren't dumb; they know when you're sincere in your message. All I do is say what I need to say and hope that it resonates with other people."
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