Faiyaz and the Wasted Chances come from a dirty garage somewhere in Toronto. They play beautifully dirty garage rock. They're most recent single "Open" could have been invented anywhere in the 50s, 60s or 70s. Lucky for us it's brand new and that means there could be even more psychedelic pop rock still to come from these guys. The reverby guitars blend so well with the lazy vocals. It makes for a great track to zone out to on a hot day. Faiyaz and The Wasted Chances play The Horseshoe Tavern on Wednesday May 20. Don't waste your chance to see them!-Kris"Big City"Gies

Punkgaze trio Tennis System, who built an empire of sound in the DC and LA scenes, released their newest video for "Ungrown," the third track from their 2014 album Technicolour Blind. Produced by and featuring Erica Terenzi of Italy's dreampop team Be Forest, the video matches swerving guitars and sun-blistered vocals with nostalgic memories simmered in psychedelic color. This release comes two weeks shy of Tennis System's long-awaited residency at The Echo. Catch them each Monday night in June with local alternative acts new and old, including United Ghosts, Blood Candy, Teenage Wrist, and THE FLASH HITS.

When interviewed by Free Bike Valet on what to expect for the residency, Tennis System's Matty T said: “We’re going to be trying out new songs, playing a lot off of our latest release Technicolour Blind, some off of Teenagers, and some really old ones. Each week will be different. I don’t want to give too much away, but I can assure you won’t want to miss one. Each one builds off of the week prior.”

Watch the new video for "Ungrown" below, and check out Tennis System on Facebook for more details on their upcoming Echo residency. - Ryan Mo

The Bay Area based band, Survival Guide, whose music falls somewhere between indie rock and electronic music, touched with descriptive, storytelling lyrics and strong vocals is giving The Deli SF the lovely opportunity to stream their brand new debut album, Way To Go! Musician Emily Whitehurst, who has recently been featured in the Deli as a collaborator on the Bay Area singer/songwriter Travis Hayes' recent EP, is making strides of her own as vocalist and keyboardist of Survival Guide.

The album is brave and paints broad brush strokes of electronic, pulsing instrumental overtures and heavy beats. Way to Go goes on the fringe of alternative music to share a melting pot of disco, pop and indie rock genre influences. The music is exciting because the band clearly has no regard for what's happening on the radio or even in the local clubs.

You can celebrate the release of the Way To Go at Neck of the Woods:
5/22 - San Francisco, CA @ Neck of the Woods (Album Release Show)

"I am excited, relieved and proud to be releasing this full-length record. In a music world where there's so much emphasis on the individual song, I truly believe in the importance of a collection of music that's pieced together artfully to convey a journey of emotions. I've experienced nearly every emotion in the making of this record, and I hope it shows.” - Emily Whitehurst

Support local music!

Pop enough to sing-a-long to, rock enough to jump around to, and just enough groove to soothe your soul to. Texas King, hailing from London Ontario, got the crowd enlivened during the CMW showcase at the Gladstone last week. With lush, sizzling guitar tones, raspy vocals, and an on point rhythm combo, these guys became an energetic delicacy to see perform live. With their catchy lyrics the crowd sings-a-long alone to, “Come Find Me". They’re tight, greasy, and there’s - without question - no shortage of dance moves. Head on out to The Drake Hotel @ 05/17 and see on hell of a show!-Courtney Chalapenko 

A while back yonder, we brought you some sweet preliminary sounds from Austin post-rock duo COSMS then-upcoming EP. That EP has done gone and come out, and we've got the whole thing for you here today! Arteria expands on the sound from pre-release, Asian-influenced instrumental track "Pagoda" with five total tracks of contemporary two-musician post-rock experimentation.

It's a little weird to us who remember when Godspeed! You Black Emperor, Explosions in the Sky and the other post-rock of the 2000s was a wholly new sound, as now the genre is in a very different place. Most "indie" fans have moved to a pretty heavily psych-rock, indie-folk, synthy pop zone, and the massive underculture (does that even exist anymore?) attention has shifted away from genres like post-rock (you could include a lot of other genres like doom metal in there too). Personally, I think that's a great thing for bands like COSMS, because it allows them space to do whatever they want, to work on subtle changes and enhancements to their genre and to really get the sound they want down on record. The result is lovely gems like Arteria, with its Shanghai-meets-American post-rock sound, and its ultra pared-down two musician format that allows for each piece of their songs to be prominent, allowing the listener to really see how each part contributes to the whole.

That's an approach that is quite nice in post-rock, especially when you think back to those 20+ piece tracks that Godspeed used to drop. As awesome as those were, they were going for something very different, something rougher and louder and more urgent, almost desperately so. That was great for the time, but that COSMS has found a space to do something very different, and very lovely, in post-rock that's shows that the genre has much still to offer.

In all these are some fresh-layered tracks with delightful complexity in the song structure from but two musicians, and you won't find tighter instrumental music coming out of Austin. Listen to all of Arteria below y'all.