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28 Degrees Taurus Start 5-night East Coast Tour Tonight with Gospel Gossip (MN)

Tonight kicks off a 5-night east coast tour from local psych/shoegaze band 28 Degrees Taurus. Having recently come back from two midwestern tours (the last of which was with their Midwestern "sister band" Gospel Gossip) this marks the first area performance from 28DT in several months.

Minneapolis' Gospel Gossip will be accompanying the band on this tour. Some folks might remember Gospel Gossip from their last New England appearance in August at Deep Heaven Now. Combining energy, intensity and raw, emotionally-charged vocals from Sarah Nienaber, this band's shoegaze will leave you completely spellbound.

Do yourself a favor and make it to at least one, if not all, of these shows.

Wed, Nov. 30 -- w/ MAAR, Secret LoverRalph's Diner, Worcester MA
Thurs, Dec. 1 -- w/ Guillermo Sexo, Ghost Box Orchestra @ Great Scott, Allston MA
Fri, Dec. 2 -- w/ The New Highway Hymnal, Friendship @ The Ant Cellar, Lowell MA
Sat, Dec. 3 -- w/ Autochrome, ClouderThe Charleston, Brooklyn NY
Sun, Dec. 4 -- w/ The Josh Drews, Washerwoman @ The Velvet Lounge, Washington D.C.

--Chrissy Prisco





The Prefab Messiahs -- Peace Love & Alienation

When I first listened to Peace Love & Alienation, without knowing a thing about The Prefab Messiahs, I thought I had downloaded the wrong album by mistake. This was real garage-pop from the 80’s. After a brief peruse of the internet, I came to the conclusion that these guys are the longest-lived band to last only two years (1981-1983). Three ambitious Clark U. undergrads with barebones rigs, no money, and a lot to say combined punk, surf-rock, and garage-pop to create an unaccredited style of lo-fi pop-rock that is still relevant 30 years later,

Peace Love & Alienation brings together 8 newly remastered tracks, including both tracks produced by Bobb Trimble, that show the versatility Prefab Messiahs had in their heyday. With a strong influence from post-punk innovators “Swell Maps,” Prefab Messiahs coin a sound of their own. It’s as if the Ramones teamed up with Joy Division, took some LSD, listened to The Beach Boys' Pet Sounds, and then decided to write an album. The Album starts off with two of my favorite songs Beyond All That and Cousin Artie. In each of these songs we hear everything from surf-rock guitar licks, analog synth, punk chord progressions, and psychedelic refrains and bridges.

Then comes Prefab Messiahs’ most “famous” song, Desperately Happy. Catchy and fun reverb-soaked vocals over a simple but grooving, slightly out of tune, guitar line make this song an instant classic for any and every Prefab fan. Their creativity is certainly showcased in the next 50-second track, Prefab Dub. What was an eclectic instrumental grooving heady dub song doing in the middle of a post-punk compilation album? I’m not sure, but I listened to this short track three times in a row as any doubts that I had about this band being way ahead of their time vanished.

I suggest all music fans buy or at least check out this album. Especially for all those lo-fi, modern garage-punkers out there (fans of Wavves, Ariel Pink’s Haunted Graffiti, etc.) who might find some satisfaction in listening to the roots, this is a must-have album.

--Michael Giordano





Annalise Emerick -- Starry-Eyed

On her album Starry-Eyed, singer-songwriter Annalise Emerick blends folk music with pop sensibilities as she crafts melodies as pretty as her name. The album follows the story of a young woman who learns to stand her own ground and rely on herself, but without sounding jaded. Emerick opens the album with You Win, a breakup song to her dear Nashville-- the city that became the takeoff point for her career as a singer-songwriter. In the beginning, she admits she was “starry-eyed and full of hope,” but when she gets her heart broken, she knows better than to let others get the best of her.

With its innocent and thoughtful lyricism, Starry-Eyed focuses some of its attention on looking back, like in I Came Around, which analyzes the should-haves of life and love and shows off Emerick’s tough side. But more importantly, the core of the album is about moving forward. Emerick has the soul of a traveller, and she’s not afraid to pick her life up and go when she needs to; She’s a Texan who has settled down in Nashville and Seattle before planting her roots in Boston, at least for the moment.


Annalise Emerick -- A Runner and a Singer

--Sarah Ruggiero





Crashing Cars -- Coming Alive to Fall Asleep

From the first chord to the last swells of feedback, Crashing Cars latest release, Coming Alive to Fall Asleep, is an invigorating ride on a rock rollercoaster. Their sound spans everything from Nirvana and Modest Mouse, to Foo Fighters, At the Drive-In and even subtle hints of Death Cab and Elliott Smith. It also became quite apparent to me that lead vocalist Jon Kohen must be an avid Kurt Cobain fan. At the end of Something to Burn, I’d swear Kohen was channeling Kurt from beyond the grave with an “All Apologies”-esque scream.  I thoroughly enjoyed songs like Empty Seas and My Mind--a track that any fan of Elliott Smith (or just music in general) would be sure to love. The somber cello line really thickens the mix and provides a perfect accompaniment to Kohen’s vocals.

My favorite song would have to be the title track. I loved the slow Modest-Mouse type build-up into an At the Drive-In surge of emotion and power. I found their use of dynamics on this track (and throughout the entire album), to be quite excellent.

Overall, Coming Alive to Fall Asleep is a great album. It was nice to finally hear a band making honest garage rock instead of Micro-Korg driven dance beats. From what I could find online, they have no upcoming dates, but head over to their bandcamp page and give them a listen. You won’t be disappointed.

--Daniel McMahon





The Fagettes, The Jitters, Radio Control, Cooling Towers : Friday, 12/2 @ Ralph's

The Fagettes (no, that isn’t a typo) will be performing live at Ralph’s Rock Diner in Worcester, MA this coming Friday, December 2nd. Hailing from Allston, MA, the group combines garage, punk and a tinge of the blues in an effort to resurrect the 60s garage punk scene. If you’re a fan of 60s rock (and how could you not be), go check out The Fagettes this Friday alongside The Jitters,Radio Control, and Cooling Towers. Show starts at 9pm.

--Daniel McMahon

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