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November 2013
Wooden Shjips
"Back to Land
"
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Hailing from San Francisco, psychedelic group Wooden Shjips, has just released their newest album Back to Land. The album brings together a sound crafted from inspirations that range from psychedelic music to classic rock.

The album is an entire trip in itself.  One can hear hints of 80s music, classic rock, and modern garage rock styles in the record, but they always resolve back to their classic psychedelic sound. With tracks like “In The Roses,” which brings a very spacey, low volume vocals, and a lo-fi sound that is not too cheesy or under produced. to “Ghouls,” which is a much faster, much more psychedelic rock sounding song that takes influences from classic rock guitar chords, while still utilizing classic psychedelic synthesizers.

Most songs on the album carry a jam-band sound, without becoming too abstract or getting too carried away. And in some cases, the music is so vast in genre diversity, one is surprised at the resulting sound, such as in the track, “These Shadows”, which starts off with an extremely catchy intro guitar riff and carries a vague David Bowie meets Velvet Underground sound.

“Back to Land” is a great piece of work that utilizes the potential of each member of Wooden Shjips effectively and thoroughly.

Most importantly, “Back to Land” is an experimentation of how far the psychedelic genre can stretch while still successfully staying true to its roots.


This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!


Album Premiere: Sun Songs, by The Foresters

Last month, I had the pleasure of reviewing The Foresters' latest single, "Machines." This month, I have the greater pleasure of premiering their album, Sun Songs. The record, released through Dord Music Group, reveals a wide array of 90s rock influences - Built to Spill being the strongest comparison that comes to mind. Energetic guitar riffs run rampant through these tracks, my favorite being those on "How the World." The lone opening riff immediately caught my attention, before hitting a feedback swell and launching into raucous guitar revelry. Summer is the perfect time to open up your windows and blow out your speakers, and Sun Songs is the perfect soundtrack to help you achieve maximum aural satisfaction. 

In addition to the record release this week, Mother Brother Studios will be posting a Salon Sessions video of The Foresters this Friday, July 24. For more info about the band, check out their Facebook page.

-Dan McMahon (@dmcmhn) 
 

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Record Review: Hooky by Jacques Le Coque

I'm realizing that while I may often overlook it, CT is home to some damn fine music. Take, for example, Hooky, by Stamford's Jacques Le Coque. This record is well-balanced, rough, raw, fuzzy rock n' roll. Bouncing from Built to Spill-style tracks, to surf rock and straight-up punk, these guys are the perfect house-party band. Listening to their songs, I can practically feel an elbow to the ribs and a PBR being spilled on my shoes.

For more info about the band, check out their Facebook page.

-Dan McMahon (@dmcmhn)

 


NYC/CT soul octet Mad Satta premieres video for "Simpler Times” + plays Highline Ballroom on 07.10

Having just released their EP 'Break Me Free,' Connecticut/New York soul octet Mad Satta today premieres through our blog the music video for the work's second single, “Simpler Times.” Elegantly infusing present struggle into a reflection on past joy, this horn-blared song is almost intensely candid. However, behind these crisp visuals, which intercut scenes of frontwoman Joanna Teters quietly singing and her band jovially playing, the track becomes a melancholic yet ultimately triumphant piece of musical meditation. Watch the music video for “Simpler Times” below, and head over to here to find out more about Mad Satta's summer tour. The band will be opening for SF's R'&B songwriter Goapele at the Bowery Ballroom on July 10th. - Zach Weg

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Review: Deadman, by James Howling

Among all of the over-produced recordings and over-processed vocals currently flooding the internet, it is indeed still possible to find beautiful, minimalistic music. Featuring only a single vocal and a mandolin, it doesn’t get much more stripped-down than James Howling’s Deadman. Howling’s shakey, bluesy vibrato complements the mournful mandolin picking throughout these songs. I was particularly drawn to the opening track, "Dark Ahead", with its melancholy waltz and depressingly-raw vocal melody. 
 
There isn't too much info about Howling online, but check his Soundcloud for future updates.

-Dan McMahon (@dmcmhn)

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