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November 2013
Wooden Shjips
"Back to Land
"
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Hailing from San Francisco, psychedelic group Wooden Shjips, has just released their newest album Back to Land. The album brings together a sound crafted from inspirations that range from psychedelic music to classic rock.

The album is an entire trip in itself.  One can hear hints of 80s music, classic rock, and modern garage rock styles in the record, but they always resolve back to their classic psychedelic sound. With tracks like “In The Roses,” which brings a very spacey, low volume vocals, and a lo-fi sound that is not too cheesy or under produced. to “Ghouls,” which is a much faster, much more psychedelic rock sounding song that takes influences from classic rock guitar chords, while still utilizing classic psychedelic synthesizers.

Most songs on the album carry a jam-band sound, without becoming too abstract or getting too carried away. And in some cases, the music is so vast in genre diversity, one is surprised at the resulting sound, such as in the track, “These Shadows”, which starts off with an extremely catchy intro guitar riff and carries a vague David Bowie meets Velvet Underground sound.

“Back to Land” is a great piece of work that utilizes the potential of each member of Wooden Shjips effectively and thoroughly.

Most importantly, “Back to Land” is an experimentation of how far the psychedelic genre can stretch while still successfully staying true to its roots.


This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!


FYF 2015 Scene Report: familiar faces mature and new voices shine

This year’s slew of local talent at FYF wasn’t as unpredictable as other years, seeing as the festival booked many familiar faces who happened to be promoting either recent or new releases. Though it left something to be desired, bringing back proven talent does provide a sense of camaraderie and loyalty to an event that is increasingly advancing into the upper echelons of Summer music festivals.

Take a look at some of our highlights from this year’s festival, some of which we’re sure will make future appearances if you’re kicking yourself for having missed them this time around.

Day 1:

The Los Angeles band JUNK opened the festival, christening the Trees Stage with a whirlwind of garage indie rock from their recently released single “Like A Cop”, the first pressing of FYF’s side-venture FYF Records. Despite slaying the night before at Non Plus Ultra with Broncho and Shitgiver, Evan Weiss & co. had lots of energy to burn even though their set was less than 30 minutes. - Words: Ryan Mo // Photo Credit: Carl Pocket for FYF Fest

On the other side of the festival grounds, classic singer-songwriter Kevin Morby also opened the festival at the Lawn Stage with a serene, methodical set that exhibits his zest for soothing, reflective folk melodies. His words were few but his presence was felt, bringing a cool vibe to a sizable amount of attendees who were ready to absorb some pleasant, sun-drenched melodies. - Words: Juan Rodríguez // Photo Credit: Chris Carrasquillo for FYF Fest

Mikal Cronin took the Lawn Stage with opener “Turn Around” from his newest drop MCIII, a blend of scorching fuzz chords and 1960’s pop hooks for sweating fans. Cronin’s start-stop “Apathy” and MCII’s “Weight” hearkened back to his debut performance at 2013’s FYF, right before the festival changed from the Historic Park venue to Exposition Park. - Words: Ryan Mo // Photo Credit: Carl Pocket for FYF Fest


 
South Bay’s Joyce Manor has become a staple for FYF, taking a slot every year since 2012, and no one is complaining. Performing at the Main Stage just before Dinosaur Jr., the pop punkers drew from their entire discography, from first album hits like “Leather Jacket” to songs from 2014’s release Never Hungover Again like “Christmas Card”. To top it off, Joyce Manor closed out with a cover of Weezer’s “You Gave Your Love to me Softly”. - Words: Ryan Mo // Photo Credit: Todd Seelie for FYF Fest

Slated for a late-evening set, avant grade producer Shlohmo bought back his searing, beatmaking talents to an audience that was yearning for a refresher after Goldroom’s sprightly set. Utilizing a full band, he managed to surprise the crowd with abstruse, though rhythmic dynamics that can stimulate both body and soul. A veteran to the festival, it was a revelation to see him come into his own as such a confident performer, one whose dark electronic passages always emit a chink of hopeful light. - Words: Juan Rodríguez // Photo Credit: Chris Carrasquillo for FYF Fest
 
Day 2:

If you weren’t keeling over from dehydration and exhaustion, you probably received an early greeting from Girlpool at the Lawn Stage. Fans matted the grass as the LA-to-Philly duo lulled onlookers with hits from their album Before the World Was Big. - Words: Ryan Mo // Photo Credit: Carl Pocket for FYF Fest

After a set cut short from New Yorks’ experimental trio Battles, HEALTH took The Trees by force with“STONEFIST”, the second-track banger of their newest album Death Magic. Jupiter Keyes pummeled the bass as the crowds violently convulsed, moshing and headbanging to the “DIE SLOW” and “GOTH STAR”. Their set was unfortunately cut short after the slow-moving “LIFE”, prompting HEALTH to finish with the half-minute dissonant freakout “GIRL ATTORNEY”. - Words: Ryan Mo  // Photo Credit: Chris Carrasquillo for FYF Fest


A delicious evening with FineTime: mAsis, Media Jeweler, and Balms at Vega's Meat Market

It's Tuesday. You've recovered from your FYF haze, and now you're itching to get out and see some more kickass bands.

Hopefully the tinnitus has gone away, that is, if you didn't accidentally forget your earplugs for two days straight. If not, you're gonna want to remember to bring them to this show, because it's a killer. And if you were disappointed in the lack of local acts this FYF (you probably didn't wake up early enough for JUNK), don't worry — you can compensate tonight!

Local show organizers FineTime is holding a three-course performance tonight (event link here) at Vega's Meat Market with delicious servings of full stop rock, creamy dreamy pop, and ethereal electronic apértif.

Up first to whet your sonic appetite is mAsis, the Glendale act that floats and pulsates serenely — fans of The XX and Odesza's chilled tones will be pleasantly surprised to hear these guys.

Then, OC's agitatin' rock band Media Jeweler changes the pace with full-force hits from their debut album $99 R/T Hawaii, out now on Fire Talk Records. The songs are meaty, filling, and will leave you feeling bloated — everything a main course strives to be.

And ending the night is BALMS, the dreampop trio from San Francisco on the tail end of their summer tour through the Southwest coast. These guys made a recent appearance at Los Angeles' DreamGaze Fest, showering attendees with their billowy lo-fi pop jangle — a great way to end the evening, unlike that molten chocolate lava cake I had at Chili's.

Tickets are still available online via Ticketfly, but this isn't a bougie event; there will be door sales, too! Show starts at 7:30 pm, so mind the horrendous LA traffic. - Ryan Mo

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Kid Bloom release video for track "Annalise", plays Silverlake Lounge on 9/8

A slithering guitar lead is the first you notice about recent Emerging Artists winners Kid Bloom's latest single "Annalise". Built around a warped blues composition, the five-piece play around with a crafty, atypical time signature over Lennon Kloser's impassioned vocal deliery before it goes into a full-on power-pop coda. The video for the track was directed by movie star Gary Oldman, who provides a no bells-and-whistles approach by giving it the simple treatment of emulating the band's visceral essence in a live setting. 

Kid Bloom are playing a headlining show at Silverlake Lounge on Tuesday, September the 8th. - Juan Rodríguez

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Hidden Mountains mull over their "Darkest Summer"

"Darkest Summer" is the debut single by songwriting duo Hidden Mountains, a sparse, slowcore-inspired ballad that should make good company for those lazy late-summer days spent in the shade. The track by Chris Howard and Gabriel Arniella is gently performed, its piano keys and synthetic drum patterns played with ample leisure like a steady breeze rippling the surface of a serene ocean. "Kiss me and I'm yours", they both harmonize in unison, with a sluggish delivery that makes us believe they're wading in the middle of a fever dream.  

Hidden Mountains' debut album comes out sometime in late September. - Juan Rodríguez

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