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November 2013
Wooden Shjips
"Back to Land

Hailing from San Francisco, psychedelic group Wooden Shjips, has just released their newest album Back to Land. The album brings together a sound crafted from inspirations that range from psychedelic music to classic rock.

The album is an entire trip in itself.  One can hear hints of 80s music, classic rock, and modern garage rock styles in the record, but they always resolve back to their classic psychedelic sound. With tracks like “In The Roses,” which brings a very spacey, low volume vocals, and a lo-fi sound that is not too cheesy or under produced. to “Ghouls,” which is a much faster, much more psychedelic rock sounding song that takes influences from classic rock guitar chords, while still utilizing classic psychedelic synthesizers.

Most songs on the album carry a jam-band sound, without becoming too abstract or getting too carried away. And in some cases, the music is so vast in genre diversity, one is surprised at the resulting sound, such as in the track, “These Shadows”, which starts off with an extremely catchy intro guitar riff and carries a vague David Bowie meets Velvet Underground sound.

“Back to Land” is a great piece of work that utilizes the potential of each member of Wooden Shjips effectively and thoroughly.

Most importantly, “Back to Land” is an experimentation of how far the psychedelic genre can stretch while still successfully staying true to its roots.

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.

Go to the old Top 300 charts


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New Music Video: "Runaways" - Work Drugs

Work Drugs already have plans for a new record release. The group dropped the LP Insurgent this past spring, and they'll be making their new album Runaways available October 7 via The Record Stache. You can check out the title track and its accompanying music video below. It's the third single that they have shared from the forthcoming record.


New Music Video: "Kites" - Literature

Indie-pop quartet Literature premiered a new music video today, over at Stereogum, for the track "Kites," off their latest full-length album Chorus (Slumberland Records). The kaleidoscopic imagery was directed by Erik Smith. They'll be heading out on an U.S. tour this fall in support of the new LP, and will be making a stop in Philly for a record release celebration on September 15 at Underground Arts with The Drums and Beverly.


New Video: "Always Know" (Live) - Kate Ferencz

Below is a new video of Kate Ferencz performing an unreleased song called "Always Know." It was recorded on August 23, 2014 at Philly DIY space Fort Tender by Taryn Jones for Single Girl, Married Girl Records. Enjoy!


Get Blindsided by Bad Side at Wolf Cycles Aug. 28

Get to Wolf Cycles early tonight because the show will be on a tight schedule with a hard 10pm curfew, and you don’t want to miss it. If you’re not ready, local hardcore punks Bad Side will have a blindsiding effect, packing a concentrated high-octane punch that unrelentingly attacks from all angles. Releasing a fresh quick-hitting single yesterday simply and directly titled “Cassingle” for their upcoming September tour, Bad Side rushes the gates with ill intentions. Tonight, they'll be joined by primal New Brunswick punks Razordheads and the blistering onslaught of Ontario, Canada’s Born Wrong. Wolf Cycles, (Please contact one of the acts or venue for more info.), 7pm, $7, All Ages - Michael Colavita


The Deli Philly’s Featured Artist(s) Poll Winner: Foxtrot & The Get Down

There has been a lot of news coming out of the Foxtrot & The Get Down camp. The band just made their new seven-song EP, Sold the Soul, available for streaming, which you can do so below. The trio of Ryan Fox, Colin Budny, and Ken Bianca recently added a fourth full-time member, Erica Ruiz, to the group. And they just won our most recent Featured Artist(s) Poll. You can check out our “get to know ya” interview with the BaseGod-lovin’ rockers HERE.



The Deli Philly's Featured Artist(s) Poll Winner: Foxtrot & The Get Down

- by Alexis V.

There has been a lot of news coming out of the Foxtrot & The Get Down camp. The band just made their new seven-song EP, Sold the Soul, available for streaming, which you can do so below. The trio of Ryan Fox, Colin Budny, and Ken Bianca recently added a fourth full-time member, Erica Ruiz, to the group. And they just won our most recent Featured Artist(s) Poll. You can check out our “get to know ya” interview with the BaseGod-lovin’ rockers below.
The Deli: How did you start making music?
Foxtrot & The Get Down: Everyone in the band started making music at a young age. Fox and Colin - who knew each other from high school - got together, musically, at West Chester University where they later met Ken. After discovering Ken played bass and realizing everyone shared similar musical interests, the three got together to form Foxtrot. Colin and Erica met each other working together at a part-time job, where Colin learned of Erica's vocal talent. After extensive studio work and several shows with the band, Erica has recently joined Foxtrot as a full-time member.
TD: Where did the band name, Foxtrot & The Get Down, come from?
F&TGD: We wish we had a cooler story, but it basically came from trying to find things out. We got the Foxtrot from Fox's name and "The Get Down" is just kinda bullshit we came up with.
TD: What are your biggest musical influences?
Ryan Fox: Phish, Grateful Dead, Modest Mouse, Lil B.
Ken Bianco: 311, Sublime, Jamiroquai, Lil B.
Erica Ruiz: Van Morrison, Fiona Apple, Regina Spektor, Lil B.
Colin Budny: G-Love, Otis Redding, Kanye West, Lil B.
TD: What artists (local, national and/or international) are you currently listening to?
CB: The Alabama Shakes, Chance The Rapper
KB: Twin Atlantic, Haim
ER: Bon Iver, Lykke Li
RF: Phish
And of course, we always subscribe to The BasedGod. Bitch Mob. Task Force. #FREEMEEKMILL
TD: What's the first concert that you ever attended and first album that you ever bought?
CB: First Concert - Taking Back Sunday. First Album - I bought two on the same day. I walked to Pat's Music, and bought The College Dropout and Bruce Springsteen's Greatest Hits.
ER: First Concert - Incubus. First Album - Jagged Little Pill by Alanis Morissette.
KB: First Concert - Green Day. First Album - Hello Nasty by The Beastie Boys.
RF: First concert, embarrassingly enough, was Bon Jovi, and since I don't remember the first album I ever bought, I'll go with the first vinyl I ever bought which was Shakedown Street by The Grateful Dead
TD: What do you love about Philly?
F&TGD: We love the city in general. We love what it looks like; we love the people, the history, the food, the sports, the culture, all that. And of course, the music scene.
TD: What do you hate about Philly?
F&TGD: Traffic, parking, and I-95. We hate 95.
TD: What are your plans for 2014?
F&TGD: Touring, seeing different cities, and just continuing to make the music we wanna make and having fun with this EP.
TD: What was your most memorable live show?
F&TGD: We really loved our last show in NYC at Webster Hall, but I think our favorite was our most recent show at Xfinity Live in Philly. 
TD: What is your favorite thing to get at the deli?
CB: Roast beef hoagie - extra mayo and extra onion.
RF: Spicy turkey hoagie - mayonnaise, pickles, lettuce, tomato, and American cheese.
KB: Classic Italian hoagie.
ER: Turkey Hoagie.
Shout out Reen's Deli in Parkwood!






Foxtrot & The Get Down

Sold the Soul



Record Review: Lean In To It - Allison Crutchfield

One half of twin pop-punk wunderkind, Allison Crutchfield (ex-the Ackleys, ex-P.S. Eliot, Swearin’), steps out on her own with her solo EP Lean In To It. Mostly written in New York City and recorded between Philly and Birmingham, Crutchfield’s latest is a lo-fi daydream wrought with the weight of disillusionment and longing.
Buzzing to a start, Lean In To It’s first track, “SUPERMOON,” taps into the cosmic zeitgeist, while making the most of heartfelt lines and humming synth. Crutchfield’s vocals are as unabashed as her instrumentation - both lingering in the mind of listeners well after “SUPERMOON” has waned. “No One Talks” brings to mind The Blow and early post-punk ballads informed by a penchant for minimalism and fatigued emotions. Frenetic yet deliberate in diction, the song is a conversation conveyed via duet, a harmonized dialogue between probable lovers embodied by Crutchfield and Radiator Hospital’s Sam Cook-Parrott. “No One Talks” ignites with a backbeat reminiscent of Colleen Green’s “Worship You.” The murmured pulse of the track ceases suddenly signaling the probable passing of a romance.
“Rose Knows” is charming without being coy. Crutchfield and Cook’s delivery shares the same pop-glazed frankness found in early tracks by The Brunettes (circa “You Beautiful Militant”). Short and sweet, “Rose Knows” is almost an interlude of its own fruition, followed by the equally brief, yet more somber, “CC.” Crutchfiled leaves listeners with the matter of fact repetition of “I know I’m not the one who’s on your mind/I know I’m not the one who’s on your mind” set to its bittersweet synth.
“Lupe” is a love song of lethargy and yearning, showcasing an often times overlooked aspect of relationships. The disenchanted Crutchfield sings, “I never needed it.”  If anything, the track is a portrait of dissonant romance, while “You” possesses a caliber of critique and awareness evocative of early tracks by Jenny Lewis (think The Execution of All Things). “You” is unafraid and blatantly specific, possibly inspired by biography. Deeply personal yet still aware of the social parameters of its context, as Crutchfield states, “My generation is not stoic or serene” to a deliberately percussive and persistent backbeat. The song is self-aware, reflective, and self-assured. “I cannot be a part of your delusional pursuits,” it proclaims while the latter lines of the track recount the dilapidation of shared space, of crumbling architecture and experience, a possibly metaphorical mirror reflecting the decay of failing romance central to its melodic narrative. The record’s closing track, “Berlin,” furthers the lackluster relational landscape of “You,” like Best Coast’s lesser-known B-sides. The track is moody and audibly lush, a hauntingly accurate depiction of intimacy. 
Lean In To It is direct yet layered with subtleties; its unapologetic yet forthright. Emotion is awash in sincerity, juxtaposed to memorably well-crafted hooks. Like watching Miranda July’s The Future after heavy drinking or listening to Power, Corruption & Lies on repeat, Lean In To It resonates with its audience in an undeniable and unshakable way without employing idealistic antics or cynicism. Crutchfield’s aesthetic and anthems are painfully earnest in the best of ways. - Dianca Potts


S.T.S. Leading the Pack at MilkBoy Philly Aug. 27

Best known lately for his flips of indie and mainstream favorites, S.T.S., a.k.a. Sugar Tongue Slim, continues to be one of the beacons of hope for a struggling local hip-hop community. With a propensity to rap about women, weed, and fashion style, his latest EP delves into more serious topics like "politics, world affairs, social issues, and even presidential misconducts." He also just posted a new track today - "How Philly Use To Sound" featuring Dayna Jordan and DJ Jazzy Jeff. S.T.S. will be leading the pack this evening at MilkBoy Philly where he'll be joined by Hezekiah, Matt Ford, Fat Nice, The Bul Bey, DJ PHSH, Mr Sonny James. MilkBoy Philly, 1100 Chestnut St., 8pm, $7, 21+ - H.M. Kauffman




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