Best live shows of 2009: Grand Lake, Why?, Tall Grass, Vetiver
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Best live shows of 2009: Grand Lake, Why?, Tall Grass, Vetiver

I’ve been an East Bay (mostly Oakland and Berkeley) resident for the better part of the last five years but really did not become a member of the music scene until 2009. I also must say that I really don’t make it out of the East Bay too often to see music, so the highlights of my year are obviously going to be slanted in favor of the Oakland/East Bay scene. Nothing against San Francisco, but the East Bay is my home and home to an amazing amount of talented people who make great music. If you are a big follower of the SF scene, then I will probably leave out some bands you think should be on my list but hopefully we can at least agree on a few things!

My Favorite Shows of 2009:

1. WHY? at Great American Music Hall, SF
I am a self-admitted WHY? fan boy and it was amazing to see them play their songs live. I can see how some people might think that WHY? is a band that would be better on record, seeing as much of their appeal can be attributed to the creative production found on their albums, but the bottom line is that they write amazing songs and are great musicians. Diehard fans of WHY? and newcomers alike were not let down and my fondness for this band has only grown since.

2. Any show where Grand Lake and Man/Miracle play together!
Is there a better pairing of bands in the East Bay than Grand Lake and Man/Miracle? I doubt it. Two completely different sounding bands that are great for different reasons but always bring more energy and intensity to their sets than most Oakland bands could even dream of. The best example of this was at the Ghost Town Gallery in November, both bands had us dancing in a drunken frenzy!

3. Tall Grass at Fort Gallery, Oakland
The now, unfortunately, defunct Fort Gallery was one of my favorite venues for the short time it was open and no show exemplifies what made that place so cool as Tall Grass’ CD release show. With about 30 to 40 of us sitting on the floor with cold beers from the nearby liquor store in hand, Tall Grass’s acoustic guitar, fiddle, and simple drums eased us into a state of awe, interrupted occasionally by bursts of laughter and giggling. A wonderful reminder of what makes Oakland such a beautiful place to witness live music.

4. Peter Stanley, Waste Band, and Silian Rail at Book Zoo, Oakland
On a cold winter night, three bands played an entirely acoustic show at a small bookstore on the edge of North Oakland and Berkeley. Rarely do you get to see bands play completely acoustic (no microphones, no amplifiers) and be blown away. Peter Stanley (of Winter’s Fall) began the evening with his twangy voice and acoustic guitar, followed by Waste Band’s guitar, baritone ukulele, and beautiful harmonizing voices. To cap off the night, math rock duo Silian Rail played an acoustic set with both members playing guitar (usually a guitar and drums duo). To hear their songs in the intimacy of a bookstore and the simpleness of two acoustic guitars showed the versatility and strength of their songwriting.

5. Vetiver at Treasure Island Music Festival
Vetiver had the tall task of playing in between Edward Sharpe and the Magnetic Zeros and Grizzly Bear on the cold and damp afternoon that was the second day of the Treasure Island Music Festival and they completely delivered. I was not very well versed in their recorded material prior to the performance so I wasn’t sure what to expect and was overwhelmed by the song writing and clear talent of the musicians playing. Definitely one of the better sounding bands at the festival, despite the wind and rain the band sounded clear and full and the songs were interesting and easily enjoyed.

-Glenn Jackson

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August 2010
The Dont's
Those Delicate Chemicals

mp3

Considering my usual tendencies towards the darker, brooding, far too narcissistic and self-indulgent end of the musical spectrum, The Dont’s Those Delicate Chemicals embraced my ears with a welcome sense of levity. Their third album (and the first one I’ve had the pleasure of delving into), Those Delicate Chemicals really stands out as being able to deliver the practices of a heady and experimental band through the parameters of a delightful pop-like sound. With its layers of charming guitar riffs, delicately placed textural oddities and an overall exuberant atmosphere, Those Delicate Chemicals could very well be the pop anthem for your art school experience… and I mean that in the most sincere way I can muster.

Considering how surprisingly small San Francisco can seem, it comes as no surprise to hear influences from formerly local avant-rock stars 60-Watt Kid throughout this album (no more apparent then in the final two songs “Backtalk” and “The Will of God”). Perhaps they’re friends, perhaps they’ve just seen each others shows on a number of occasions, but the jagged ethereal and heavy tremolo guitar layers that appear throughout the songs of both bands is obviously comparable. Serving as one of the many interesting layers throughout Those Delicate Chemicals, these wonderfully well-placed interruptions serve a vital role to elevate the pop framework to a vast and intricate soundscape.

Opening with their call and response anthem “Which Side You’re On (The Pirate Song)” Those Delicate Chemicals kicks off with a cheeky wink and a smile. You’d love it if its clarion call asking “what side you’re on” is The Dont’s feeling the waters for whose side the listener is on, but lets not mince words; this is a song about pirates, and pirates will “get it done.” Surly as their “piratic oath” would demand, the song leads its crowd in a triumphant bellowing of “ARRRRRRRRR. “ I imagine this is not a moment to miss at their performances.

Leading immediately into one of my favorite songs on the album, “Breakdown,” Those Delicate Chemicals moves on past its initial playfulness to its slightly more serious, but still jubilant, elements. While the songs change somewhat in tonality, listening across Those Delicate Chemicals it’s hard to pigeonhole it with one thematic quality. Not at all to its detriment, Those Delicate Chemicals seems to lack a greater arch to its narrative. There is depth to the individual songs, but short of the fastidiously executed sound, there seems little that ties them together. Favorites certainly pop out (“Regardless, The Goddess,” “Peacetime,” and “Gasoline” come to mind) but there is a certain distance held between the music and any underlying concept for the album.

Perhaps that's just the point. The Dont’s keep the audience at a distance with their Ramones style surname uniformity, and maybe by withholding just enough the mask serves to direct the listeners attention to the complexities of the sound as opposed to the distraction of a message. The mask is their tool of misdirection.

The Dont’s Those Delicate Chemicals is definitely an album to seek out. Elaborate and boisterous, Those Delicate Chemicals is the type of intelligent and experimental pop sound that is very hard to come by. It carries with it a depth that rivals its avant counterparts, but is delivered with the accessibility many similar sounding artists lack. I encourage you to add it to your collection if for no other reason than to scream “ARRRRR” every time that pirate captain demands.

 

-Ada Lann

 

The Dont's Those Delicate Chemicals can be purchased here.

SEPTEMBER
09.03Brainwash
9pm Bray
09.03Kimo's Bar
9pm Guitar Wizards (otf)
09.04Rickshaw Stop
7pm The Deli Sf Presents
8pm My First Earthquake
8pm The Dont's
8pm Spiro Agnew
8pm Phantom Kicks
8pm Dj Set By Ha Eugene
09.05Boom Boom Room
9pm Con Brio
09.05Hotel Utah
8pm Angie Mattson
09.05Milk Bar
9pm Netherfriends
9pm Thralls
9pm Zoo
09.05Retox Lounge
8pm The Railflowers
9pm Perpetual Drifters
10pm Adventure Playground
09.06The Knockout
9pm The Soft White Sixties
09.10Bottom of the Hill
9pm Stomacher
09.10Milk Bar
8pm Geographer
09.11Bottom of the Hill
9pm We Barbarians
09.11Great American Music Hall
8pm Aloha Screwdriver
09.11Mama Buzz
7pm Ben Thompson
7pm James And Evander
7pm Mike Hale
09.11The Uptown
9pm Kepi Ghoulie
10pm Bam!bam!
09.13Cafe du Nord
9pm Sam Amidon
9pm Chloe Makes Music
09.14Bottom of the Hill
10pm Il Gato
09.16Eagle Tavern
9pm Death Valley High
09.16Milk Bar
8pm Sunbeam Rd.
09.16The Stud
8pm Cold Metal
09.17Hemlock Tavern
9pm Yeltsin
09.17Hotel Utah
9pm Blisses B
09.18 Totally Intense Fractal Mind Gaze Hut
8pm Yeltsin
09.18El Rio
6pm Felsen
09.18Hotel Utah
9pm Buckeye Knoll
10pm Wave Array
09.18Madrone Art Bar
9pm Fringe Dance Party
09.18The Coffee Adventure
7pm Lawrence Genova
09.19Yoshi's SF
8pm Boy In The Bubble
09.22Milk Bar
8pm Julie Plug
09.23Kimo's Bar
9pm Scission
09.23Starry Plough
9pm Kwame Copeland Band
09.24Bottom of the Hill
10pm Mister Loveless
11pm Rykarda Parasol
09.24Hotel Utah Saloon
10pm Big Tree
09.25The Union Room
8pm Amanda Abizaid
9pm Karney
10pm Katie Garibaldi
11pm Roy G Biv
09.26Yoshi's SF (Restaurant Lounge)
8pm Kate Kilbane
09.28Rickshaw Stop
9pm The Myonics
10pm The Hounds Below
11pm The Like
09.30Starry Plough
8pm Just Married
OCTOBER
10.01Bottom of the Hill
9pm Voodoo Glow Skulls
10.02Blakes on Telegraph
9pm Ejector (electro)
10.08Brainwash
8pm Le Verita
10.09Bottom of the Hill
10pm Felsen
10.15Hotel Utah Saloon
8pm King Baldwin
10.16Treasure Island Festival
11pm Lcd Soundsystem
10.17Treasure Island Festival
11pm Belle And Sebastian
NOVEMBER
11.12Starry Plough
10pm Kate Kilbane